All the oil paintings of MASACCIO

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ID	Image	Painting(From A to Z)	Details
33363		Adoration of the Magi	mk86 1426 Tempera on wood 21x61cm
94642		Crucifixion	circa 1426 Type panel Dimensions 83 cm x 300 cm (33 in x 120 in) cyf
30944		Expulsion of Adam and Eve from Paradise	mk68 c.1427
59775		Fresco in the Brancacci Chapel in Santa Maria del Carmine, Florence	Fresco in the Brancacci Chapel in Santa Maria del Carmine, Florence
32377		Frescoes in the Cappella Brancacci	1426-82 Fresco
41956		Holy Ana Metterza	mk166 1424 Tempera on board of wood 175x103cm Uffizi, Florence
40173		Holy Trinity	mk156 c.1428 667x317cm
56803		Holy Trinity	mk250 Florence, Italy, and Maria church, about the year 1428. Frescoes, 640.1 x 317.5 cm.
59771		Holy Trinity,	Holy Trinity, in full: "Trinity with the Virgin, Saint John the Evangelist, and Donors" (1425-27/28) - Fresco, Santa Maria Novella, Florence
29731		Madonna and Child	mk67 Tempera on panel 9 5/8x7 7/8in Uffizi,Gallery
53682		Madonna and child	mk234 1426 135x75cm
9839		Madonna and Child with St. Anne	panel, Uffizi, Florence
40170		Madonna and Child with St Anne Metterza	mk156 c.1424 Tempera on panel 175x103cm
32391		Madonna and Child with St. Anne	c. 1424 Tempera on panel, 175 x 103 cm
8078		Madonna and Child with St. Anne s	c. 1424 Tempera on panel, 175 x 103 cm Galleria degli Uffizi, Florence
32386		Madonna with Child and Angels	1426 Wood, 135,5 x 75 cm
58291		Mary exciting	mk261 Florence in 1426 egg tempera of wood 24.5 x 18 cm
94644		Nativity	1427-1428 Type Tempera on wood Dimensions 56 cm diameter (22 in) cyf
53684		Petrus botar de sjuka med sin skugga	mk234 1425
34362		Petrus und der Zollner	mk92 1425 Florenz, Sa.Maria del Carmine,Brancacci Kapelle
8080		Plate of Nativity (Berlin Tondo) sg	1427-28 Tempera on wood, diameter 56 cm Staatliche Museen, Berlin
9838		Portrait of a Young Man w5	1423-25, wood, Isabella Stewart Gardner Museum, Boston
52221		Profile Portrait of a Young Man	1425 Wood National Gallery of Art
8077		Profile Portrait of a Young Man wg	1425 Wood National Gallery of Art, Washington
59774		Resurrection of the Son of Theophilus	Resurrection of the Son of Theophilus
94643		Saint Paul	1426 Type Tempera on wood Dimensions 51 cm x 30 cm (20 in x 12 in) cyf
42833		Saints Jerome and john the Baptist	mk170 1428 Tempera on poplar 114x55cm
9836		San Giovenale Triptych	1422, panel, Church of San Pietro at Cascia Florence
9837		San Giovenale Triptych	1422, panel, Church of San Pietro at Cascia Florence
32383		San Giovenale Triptych	1422 Panel
32385		St Jerome and St John the Baptist	1428 Panel, 114 x 55 cm
32392		St Paul	1426 Tempera on wood, 51 x 30 cm
8079		St Paul sgy	1426 Tempera on wood, 51 x 30 cm Museo Nazionale, Pisa
33373		St Peter distributes the Goods of the Community and The Death of Ananias	mk86 c.1426/27 Fresco 230x162cm Florence
21203		St Peter distributes the Goods of the Community and The Death of Ananias (mk08)	c.1426/27 Fresco. 230x162cm Florence,Santa Maria del Car-mine,Brancacci Chapel
32389		St Peter Healing the Sick with his Shadow	1426-27 Fresco, 230 x 162 cm
29730		St.Anne Metterza	mk67 Tempera on panel 68 7/8x40 9/16in
32374		The Baptism of the Neophytes	1426-27 Fresco, 255 x 162 cm
42616		The cijnspenning	MK169 ca. 1427 Fresco 254x590cm
32380		The Distribution of Alms and the Death of Ananias	1426-27 Fresco, 230 x 162 cm
32382		The Expulsion from the Garden of Eden	1426-27 Fresco, 208 x 88 cm
40168		The Expulsion of Adam and Eve From the Garden	mk156 1425 Fresco 208x88cm
23373		The Holy Trinity (nn03)	c 1420 Fresco 667 x 317 cm 262 1/2 x 124 7/8 in Santa Maria Novella Florence
9840		The Holy Trinity with Virgin and St. John,	1425, Santa Maria Novella, Florence
42617		The Saint Three-unity	MK169 1425 Fresco 667x317cm
33374		The Tribute Money	mk86 1426/27 Fresco 255x598cm Florence,Santa Maria del Carmine Brancacci Chapel
40171		The Tribute Money	mk156 c.1428 Fresco 255x598cm
44854		The Tribute Money	mk176 c.1425
21204		The Tribute Money (mk08)	1426/27 Fresco. 255x598cm Florence,Santa Maria del Carmine,Brancacci Chapel
59772		The Tribute Money, fresco in the Brancacci Chapel in Santa Maria del Carmine, Florence	The Tribute Money, fresco in the Brancacci Chapel in Santa Maria del Carmine, Florence
33372		The Trinity	mk86 1425/26 Fresco 667x317cm Florence,Santa Maria Novella
55928		The Trinity	mk247 1428,fresco,262.5x124.875 in,667x317 cm,santa maria novella,florence,ltaly
21202		The Trinity (mk08)	1425/26 Fresco 667x317cm Florence,Santa Maria Novella
9841		The Virgin and Child	1426, National Gallery London
42832		The Virgin and Child with Angels	mk170 1426 Tempera on poplar 135.5x73cm
30403		Tribute Money	mk68 Fresco. Florence Church of Santa Maria del Carmine,Brancacci Chapel
30404		Tribute Money	mk68 Fresco Florence Church of Santa Maria del Carmine,Brancacci Chapel
55926		Tribute money	mk247 c.1426,fresco,100x234 in,255x598cm,brancacci chapel,santa maria del carmine,florence,ltaly
33256		Trinity	mk83 c.1427
53683		Utdrivelsen from paradise	mk234 about 1427 205x90cm
42618		Verdrijving from the paradise	MK169 ca. 1427 Fresco Brancacci-chapel
55927		Virgin and Child	mk247 1426,egg tempera on wood 53.125x29 in,135x73.5cm,national gallery.london,uk
94641		Virgin and Child with Saint Anne	The Madonna and Child with St. Anne, also known as Sant'Anna Metterza, is a painting by the Italian Renaissance painter Masaccio, probably in collaboration with Masolino da Panicale, c. 1424. cyf
59773		When it was cleaned	When it was cleaned, Tommaso Masaccio's fresco of The Expulsion (1426?C1427) lost the added fig leaves.

MASACCIO
Italian Early Renaissance Painter, 1401-1428 was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.